Showing posts with label Herb Ritts. Show all posts
Showing posts with label Herb Ritts. Show all posts

"Nobody does it like Dockers" 1992, Herb Ritts commercial with Scott King

THE MEDIA BUSINESS: Advertising; Can Levi Strauss Extend Its Success With Dockers?
By Stuart Elliott
Published: February 24, 1992


FOR a marketer, changing a successful long-running advertising campaign is always a difficult decision. But Levi Strauss & Company and its agency, Foote, Cone & Belding in San Francisco, felt the time had come.

Beginning March 3, they will make the first significant changes in their campaign for Dockers apparel since that best-selling line startled consumers in 1987 with unusual television commercials starring casually dressed men engrossed in casually hipconversations.

"To keep the Dockers message fresh, we had to adopt a different position," Bob Siegel, president of the men's wear division at Levi Strauss, said in a telephone interview from San Francisco.

"You can't say the same thing forever," he added, "and we can't afford for people not to pay attention."

As for the timing, said Mike Koelker, executive vice president and corporate director of creative development at Foote, Cone,

"it finally got to the point where if we did another year of this, I don't think anybody would notice."

"It scares the hell out of you to change an enormously successful campaign," he added, particularly one that has grown familiar enough to be featured on an episode of the NBC sitcom "Seinfeld" and to have inspired a parody spot by a rival clothier, Bugle Boy.

"What if the next one doesn't work as well?" he asked.

To prevent that, new television spots, as well as the first Dockers print advertisements, have been carefully conceived to appeal to the men who are already avid buyers of Dockers slacks, shirts, shorts and other items. They are expected to buy $1.5 billion worth in stores this year; total retail sales of Dockers last year, including the newer women's and children's products, exceeded $1.8 billion, out of Levi Strauss's total sales of $4.9 billion.

"Our purpose is to let the consumer who buys Dockers know he has an opportunity to expand his purchases," Mr. Siegel said. To accomplish that, he added, the new ads communicate a message "that Dockers come in many different flavors."

For instance, in one spot, as men silently walk along a city street and sail in a boat, an announcer wryly drawls, "From mocha to khaki, beige to desert sand, tan is a color with a thousand faces, a color that always seems to say, 'Hey, pal, how 'bout me?' " Each spot ends with the multihued theme "Nobody does tan like Dockers," "Nobody does blue like Dockers," and so on.

The announcer supplanting the "guys talking to guys," as Mr. Koelker called the most familiar aspect of the campaign, is the most obvious alteration. Also different is how the men look; instead of an everyday-guy image, they seem more like models, better built, better dressed and better coiffed. That is intended to build a perception of Dockers as dressier and more fashionable, Mr. Siegel said.


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Brand: Dockers
"Green"
Year: Spring/Summer 1992
Models: Scott King and ?
Director: Herb Ritts



Other Ritts Dockers commercials : "Grey", "Tan", "Brown", "Blue", "Black", "Green Shorts", "Tan Shorts", "Blue Shorts"

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Dockers advertising had undergone some previous modifications. The initial spots were notorious for their shaky shots of male posteriors and crotches. Those gave way to fluid full-body shots. And "Dockers World" -- a term used by Steve Goldstein, the director of consumer marketing for the Levi Strauss men's wear division, to describe "the mythical place where our Dockers consumer feels comfortable" -- evolved from a competitive, aloof place into friendlier, less judgmental territory.

The new spots will run on cable networks, including CNN and ESPN, as well as on broadcast-network coverage of sports like basketball, football and baseball. The print ads, styled after the spots, will run in magazines like Esquire, Forbes, GQ, Newsweek and Time.


Brand: Dockers
Year: Spring/Summer 1992
Models: Alvin and ?
Ph:






Ad spending will rise 20 percent from last year, Mr. Siegel said, though he declined to give figures. Estimates of Levi Strauss's annual ad budget for Dockers run from $20 million to $25 million.

And was it, indeed, time for a change, Mr. Siegel was asked.

"There's not a lot of research to make those decisions," he replied. "That's a judgment call you have to make. As a leader, we need to take some risk."

Herb Ritts: The master of romance, eroticism and sexy.

GQ
"Body Heat"
1989, January
Models: Stephanie Seymour, Olivier Debray, Fred Harding and others.
Ph: Herb Ritts
Hair: Max Pinnell for Bumble & Bumble
Location: Hawaii





GQ
1987, December
"The Joy of Scents"
Models: Tatjana Patitz and Fred Harding
Ph: Herb Ritts
Hair: Max Pinnell for Bumble & Bumble
Location: Island of Guadeloupe





GQ
"The Prints and the Showgirl"
1988, January
Models: Tatjana Patitz and Fred Harding
Ph: Herb Ritts
Hair: Max Pinnell for Bumble & Bumble
Location: Island of Guadeloupe





GQ
1989, December
"Smell-Shocked"
Models: Stephanie Seymour and Olivier Debray
Ph: Herb Ritts
Hair: Max Pinnell for Bumble & Bumble
Location: Hawaii





all those erotic fashion editorials paved the Ritts'way for his classic of classics, Wicked Game with Chris Isaak and Helena Christensen

Back to 1985: Surfers Make Bigger Waves in Modeling

Surfers Make Bigger Waves in Modeling
June 30, 1985 | JUDY PASTERNAK | Times Staff Writer

Almost any other day at Surfrider Beach, Huey Pritchard and Tony Zapata would have been in the water waiting to catch a Malibu wave. But on this particular afternoon, there was no ocean swell; the sea had become sheet metal--flat and shiny and gray.

So instead of surfing, the two boys lounged on the sand, involved in another favorite pastime: Discussing their futures as high-fashion models.

Huey wore his weathered sheepskin boots, his blue sweat pants with "Venice Surf Club" silk-screened along the sides and his faded yellow sweat shirt that had a hole in the front and a stain along one sleeve.

Tony sported a T-shirt advertising Billabong surfboards and a wildly patterned, turquoise-and-white pair of shorts.

Huey is 17. Tony is 15. Huey posed once, about five months ago, for Bruce Weber, a New York fashion photographer. Tony posed once, last fall, for Herb Ritts, a Los Angeles photographer. Each was paid nearly $100 and was given some clothes and a catered lunch.

Surfing, Fashion Mesh Well, The combination may seem odd at first glance, but surfing--especially competitive surfing--meshes well with the world of fashion these days.

Once the sport's heroes gloried in their status as objects of society's scorn. They slept on their friends' floors; they drove beat-up vans, and they took occasional work as "table technicians" (busboys) or "executive table technicians" (waiters).

Now, the top surfers manufacture beachwear, endorse boards and even turn pro, competing for prize money around the world.

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GQ
May 1982
"Water Rites"
Models: Buzzy Kerbox, Laird Hamilton and ?
Ph: Bruce Weber
Grooming: Thom Priano for Garren @ The Plaza




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And now, Shaun Tomson, the Brentwood-based professional surfer ranked No. 2 in the world, is the model with the unzipped fly in a provocative ad for Calvin Klein jeans. Jeff Wagner, who owns a Malibu surf shop, appears in ads for Ralph Lauren's Klondike collection.

In the gossip sections of the surf magazines, chitchat about swells and odysseys to foreign beaches is augmented with items like this: "Scott Farnsworth was the subject of a few barbs . . . when he showed up with an unusual new haircut. All jokes were shelved when it was learned that he got paid over two grand to get it cut and do some modeling up in Marin County."

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GQ 1982
"Short Change"
Models: Shaun Tomson, Buzzy Kerbox and ?
Ph: Bruce Weber
Grooming: Thom Priano for Garren @ The Plaza





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The modeling trend apparently started about five years ago, when Bruce Weber got an assignment from Vogue magazine for a layout on American men.

Weber immediately decided to include a surfer. He had photographed a New Jersey surf competition for New York's SoHo Weekly News and "really enjoyed watching it. The surfers were very fresh looking and they had a very exhibitionistic quality," he said.

"I'd seen that movie, 'Endless Summer,' and I knew people always copied surfers, the clothes they wear, the way they cut their hair. I thought it would be nice to show people what a real surfer looked like."

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GQ 1984
"Endless Summer"
Models: Fred Harding, Kane Sickner, Strider Wasilewski  and?
Ph: Herb Ritts



"I was 11 years old. I'd been making some money doing modeling. Herb Ritts had found me at Horizons West. He was like, 'Dude, we have to do these photos.' Next thing you know, I was up in 'GQ' and in all these magazines. I was working with Daryl Hannah, Cindy Crawford, Buzzy Kerbox and all these people. I was doing these crazy photo shoots. Herb Ritts was the best fashion photographer of all time." -  Strider Wasilewski

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Weber pored through surfing magazines until he spotted a picture of Hawaiian surfer Buzzy Kerbox--on land, after winning a contest. Weber said, "We flew him from Hawaii sight unseen."

The photo session was a success. Kerbox introduced Weber to his friends. They introduced Weber to their friends.Other photographers, including Ritts and New York-based Michael Reinhardt, started using surfer-models too.

The numbers are not huge. But enough surfers are modeling to make the industry take notice. Nina Blanchard, owner and president of Nina Blanchard Agency in Los Angeles, estimated that six of her firm's 60 male models were originally spotted at the beach.

She warned that, although many surfers can pick up occasional work as models, few can turn it into a full-time career. "We get tons of young men in here and they all have two photos in a magazine," she said. "But that doesn't mean they all have what it takes."

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Rolling Stone
May 1985
"Boys of Summer"
Models: Madonna, Zachary Hitchcock, Kaipo Guerrero, Tony Moniz, Jamie Brisick, Brian Van Dyne and Mark Holzman
Ph: Herb Ritts






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That's fine with most of the surf stars. They agree with Tomson's credo--"I'm a surfer first, an entrepreneur second and a model third"--although they also agree with another Tomson observation: "It's fantastic money."

It was inevitable that the masters' disciples would want to follow suit.

For the past year or so, Tomson has noticed that, when his fans ask for advice on how to break into the business, they sometimes mean modeling.

To most of them, it seems to be a reasonable way to finance their surfing. In the words of Jeff Wagner: "There are very few ugly surfers."

Wagner's Zuma Jay surf shop on Pacific Coast Highway is a center for the modeling fervor. Photographers and casting directors ask Wagner to help them find "beach types." In exchange they often use Zuma Jay surfboards and T-shirts--with the logos prominently displayed--in the resulting layouts.


source: http://www.zumajays.com/

One day in the early 1980s, photographer Bruce Weber walked in and asked Jeff Wagner if he would like to model for a shoot at the pool at nearby Pepperdine University. Wagner was skeptical, wondering if this was some kind of ploy for gay sex. When he learned the job paid $1,500 a day, his wariness vanished.

For the next dozen years or so, Wagner was a top model, working for Marlboro, Ralph Lauren, Banana Republic, AT&T, Valentino and Umberto Ginocchietti. He earned enough to buy some land in Latigo Canyon and eventually built his home there.

It was on Wagner's recommendation that Huey Pritchard's snub nose and his near-white, close-cropped curls will appear soon in the pages of Per Lui, an Italian men's clothing magazine.

And it was Wagner who got Huey and Tony their upcoming guest shots on a pilot for a television series featuring rock bands at the beach. "We're supposed to say things like 'gnarly,' " Huey said. "Surfer talk. The stereotype."

'Yeah, I'm Bad' He jammed his hands inside the tops of his boots. "I never thought I was great-looking," he said. "But now, after that first shoot, you know, you look in the mirror and say, 'Yeah, I'm bad. I'm serious. I could be a good-looking chap.' " "I think it's my hair," he said.

He had been thinking about modeling, though, even before Wagner approached him. "My friend Shane does a lot of work. He's a surfer too," Huey said.

The work wasn't hard but it was nothing like his regular part-time job delivering pizza.

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Rolling Stone
1987, July Issue 504-505
"Chairman of the board"
Surfer: Tom Curren
Ph: Herb Ritts



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Huey and Shane, as well as Farnsworth and surfer Laird Hamilton, assembled at a Malibu beach house for the day.

"They had us out on the beach. Then they had me inside sitting on the balcony. One time they had me with Levis. They had us put on, like, three pairs of shorts at a time, different lengths, with all of them showing," Huey said.

"I had to wear this beanie cap. The whole time I felt like I was being set up. Me and my friend were going, 'What is this, a joke?' "

From midmorning to sundown, he obeyed when the photographer ordered, "Stay right there," "Don't smile," "Stick your chin out."

At one point, he fell asleep on a bed piled high with shorts. "All of a sudden, I hear, 'Hold it,' " Huey said. A flash bulb popped.

Such tales can inspire a backlash on the beach. "Most of the guys that model don't know how to surf," said Mike Delavega, a 17-year-old from Sherman Oaks. "I see them here a lot. I talk to some of them."

His friend, Mike Muirhead, 17, of Woodland Hills added: "I think it's better to surf than to model."

Huey and Tony are growing accustomed to remarks like that. "Oh, yeah, my friends tease me," Tony said. "First they make fun of you," Huey chimed in, "and then they start going, 'Hey, man, next time you do it, why don't you take me?' "

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US Vogue
June 1991
"Surf's Up"
Model: Cindy Crawford,Buzzy Kerbox, Tony Moniz and ?
Photographer: Patrick Demarchelier
Styling: Grace Coodington




Pictures scanned by MissIvana@Thefashionspot
The whole editorial here

Tatjana Patitz & Tony Ward for Rolling Stone 88

Rolling Stone
1998, March
"White Heat"
Models: Tatjana Patitz and Tony Ward
Ph: Herb Ritts
Fashion Editor: Joe McKenna
Hair: Sally Hershberger for Visages Los Angeles
Make-Up: George Newell for Visages Los Angeles 

1994, Ben and Beri for Horizon by Guy Laroche by Herb Ritts

Horizon by Guy Laroche
1994, Fall/Winter
Models: Ben Bettenhausen & Beri Smither
Ph: Herb Ritts
Director: Herb Ritts



I'm not sure if the lastname of Ben is "Bettenhausen", in a press release of this campaign he's named Ben Benthousen.

Mark Findlay for Joop! Nightflight by Herb Ritts

Joop! Nightflight
1992, Fall/Winter (Europe)
1995, Spring/Summer (USA)
Model: Mark Findlay
Ph: Herb Ritts

HERB RITTS, 25 years of fashion and style

Hi there, sorry for the lack of updates, I've been busy creating the layout of my website tribute to Herb Ritts, my all time favourite artistic hero.

There's a new  Fahey Klein exhibition dedicated to Herb Ritts with many, MANY unseen pictures of the archives of Herb Ritts and they are all about fashion and nudes, something that I was expecting for years and years, it's called  HERB RITTS - TWENTY-FIVE YEARS, IT'S AMAZING!!!

some of the never seen pictures:

Tony Ward, 1990




Paul, these are outtakes of a 1989 British Vogue editorial





1987, this is either Tony Ward or Brian Buzzini



unknown model, 2000




Tony Ward, 1988





Steve and Tony Ward, Tony Ward 1986





Fred Harding and Tatjana Patitz 1988, outtakes from GQ Magazine

That's unknown #4, Fred, the same of Fred with tyres!




More Fred, 1984





Tony Ward, 1985





Sean, 1987





Bruce Hulse and Nick Constantino, 1984




Steve 1987




Djimon Honsou - from a 1991 Interview Magazine editorial with Naomi Campbell




Gorgeous Karen Alexander, it's an outtake of a 1989 American Vogue editorial




Unseen from the Gianni Versace Fall/Winter 90 Collection, Cindy Crawford, Naomi Campbell and Christy Turlington




Christy Turlington and Tatjana Patitz, 986





Stephanie Seymour 1991, Outtake from Playboy




Frankie Rayder, 2000, Paris Vogue Outtake

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