Year: Fall/Winter 1988
Model: Paul Wadina
Ph:
* Paul Wadina did full frontal nudes for Bruce Weber in 1987/1988 - here and here
* I think he's one of the naked male models in the 1987 Calvin Klein Obsession ad
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Showing posts with label Paul Wadina. Show all posts
Showing posts with label Paul Wadina. Show all posts
Paul 88
Brand: Marshall Field's
Year: Fall/Winter 1988
Model: Paul Wadina
Ph:
* Paul Wadina did full frontal nudes for Bruce Weber in 1987/1988 - here and here
* I think he's one of the naked male models in the 1987 Calvin Klein Obsession ad
Year: Fall/Winter 1988
Model: Paul Wadina
Ph:
* Paul Wadina did full frontal nudes for Bruce Weber in 1987/1988 - here and here
* I think he's one of the naked male models in the 1987 Calvin Klein Obsession ad
The Golden Years of Nikos
Nikos Apostolopoulos
Contemporary Fashion
01/01/02 by Richard Martin; Nelly Rhodes
Homoerotic masculinity is the motive of Nikos fashion. Invoking an idealism of gods and demigods, stretching and flexing on Olympus wearing versions of jock straps, ergonomic t-shirts and tank tops, and some street clothing, Nikos projects a similar image of apparel. Beginning with his first collection in 1985, Nikos employed cotton and Lycra for the stretchy, minimalist, erotic clothing of the gods and all who aspire to their condition of pumped-up muscles and physique divinity.
Joe Gogol and other male model photographed by Chimene Lasserre
Pictures from http://www.nikosapostolopoulos.com/fullscreenmainpage.html
In 1988 Nikos worked with American photographer Victor Skrebneski in an ideal collaboration of like-minded fashion erotics. Denizens of South Beach and Venice, California, were logical candidates for this self-assured, body-flaunting clothing driven by heat, narcissism, and sexuality. Men who might dress for the evening in Gianni Versace might choose Nikos for activewear. While the line diversified to some street clothing for men and swimwear and exercise wear for women, Nikos still primarily addresses the homoerotic male.
Nikos Apostolopoulos - Spring/Summer 1987
Models: Joe Gogol, Scott Benoit ...
Nikos' clothing template is the jock strap. He customarily provides a band (including many in the late 1980s that, like the underwear of competitors, included the designer name) around the waist from which an extended cod-piece or pouch distends. The designer's phallic primacy is complemented by bared sides and minimal coverage of buttocks, offering voyeurism (and implied accessibility) front and rear to the male. His tanks stress angularity almost as if to clothe men of granitic triangulation, rather than the ordinary soft body.
Further, two devices frequent in Nikos' work exacerbate the homoerotic content. In effectively using stretch materials, Nikos often opens apertures in the briefs and tops, allowing a peek-a-boo spectatorship more often associated with female undergarments. Additionally, Nikos relishes piecing and visible seams, the stretchy activewear taking on something of the aspect of a virile Vionnet or an Azzedine Alaïa transferred to Muscle Beach. The effect, of course, is to promote even further the sense of the garment as strapping, swaddling, a slight covering for muscles and body movement. In instances when Nikos uses stripes, his only pattern, line enhances the verticality and size of the phallic pouch.
Joe Gogol was his favourite model the very first years, ph: Chimene Lasserre
In the early 1990s collections emphasized more moderate clothing for the street, including the graphically strong spring/summer 1993 collection with outfits in black-and-white for exercise and shirts with bold designs inspired by Matisse cutouts. The spring/summer 1994 collection stressed sportswear for the street and offered a repertoire of loose, long knits and colorful shorts and white and black oversized trousers. Whenever Nikos had shown streetwear in the late 1980s and 1990s, the look was still of extremism, with see-through tank tops, faux leopard skins, and tailored clothing with zoot suit bravado. In the street clothes, Nikos did not abandoned fetishes, but moved toward mainstream menswear, ironically leaving many other designers from Dirk Bikkembergs to Gianni Versace to fill his gap on the wild side.
Nikos Apostolopoulos - Fall/Winter 1987
One can either dismiss Nikos for his marketing of the most blatant homoerotic clothing, of which probably a considerable portion is purchased but seldom worn, or worn only for the private circumstance. Or one can understand that Nikos stands, with many designers of men's underwear and related athletic wear, as one who cultivates specific and definable traits of the homoerotic to develop garments possessing their own brand of beauty.
Nikos ventured into fragrances in 1994 with, oddly, a women's scent rather than one for men. Sculpture Femme launched amidst much fanfare did well enought to encourage Nikos to develop a complementary men's scent, preferably one as iconoclastic as its creator. Sculpture Homme, introduced in 1995, didn't disappoint with its sexy mythical connotations and spicy base, rolled out with widespread media advertising. Both Nikos incarnations sold very well at a time when upscale retailers were in a slump. The designer pondered additional fragrances as well as bath and body lines.
—Richard Martin;
1987, Brian Buzzini and Mark Kleckner
Ph: Victor Skrebneski
-------------------------------------------
Nikos Apostolopoulos - Spring/Summer 1988
Models: Iman Abdulmajid, Mark Kleckner
Ph: Victor Skrebneski
Fashion Show Models: Scott Benoit, Joe Gogol, Brad Harryman ....
-------------------------------------------
Nikos Apostolopoulos - Fall/Winter 1988
Models: Steve Lyon, Joe Gogol, Iman Abdulmajid, Odile, Paul Wadina and other male model (no id yet)
Ph: Victor Skrebneski
The official Nikos website has a whole set of pics of the catalog.
-------------------------------------------
Nikos Apostolopoulos - Spring/Summer 1989
Models: Iman Abdulmajid, Odile and a male model
Ph: Victor Skrebneski
Fashion show models: Steve Lyon and Odile
-------------------------------------------
Nikos Apostolopoulos - Fall/Winter 1989
Iman Abdulmajid and Steve Lyon, Chris Martin, Bert Van Emden, Moose Ali Khan, Swiggy Drummond, Odile.
^ 4:24, Iman + Steve Lyon = a must see, amazing!
-------------------------------------------
Nikos Apostolopoulos - Spring/Summer 1990
Models: Marpessa Hennink and a male model
Ph: Herb Ritts
Fasfion show models: Steve Lyon, Walter Schupfer, Nick Scotti, Chris Martin, Moose Ali Kahn, Hermes ...
-------------------------------------------
Nikos Apostolopoulos - Fall/Winter 1990
Models: Yasmeen Ghauri and male models
Ph: Michel Comte
Fashion Show models: Michiel Van Dijk, Yaron Fink, Cameron Alborzian ....
Contemporary Fashion
01/01/02 by Richard Martin; Nelly Rhodes
Homoerotic masculinity is the motive of Nikos fashion. Invoking an idealism of gods and demigods, stretching and flexing on Olympus wearing versions of jock straps, ergonomic t-shirts and tank tops, and some street clothing, Nikos projects a similar image of apparel. Beginning with his first collection in 1985, Nikos employed cotton and Lycra for the stretchy, minimalist, erotic clothing of the gods and all who aspire to their condition of pumped-up muscles and physique divinity.
Joe Gogol and other male model photographed by Chimene Lasserre
Pictures from http://www.nikosapostolopoulos.com/fullscreenmainpage.html
In 1988 Nikos worked with American photographer Victor Skrebneski in an ideal collaboration of like-minded fashion erotics. Denizens of South Beach and Venice, California, were logical candidates for this self-assured, body-flaunting clothing driven by heat, narcissism, and sexuality. Men who might dress for the evening in Gianni Versace might choose Nikos for activewear. While the line diversified to some street clothing for men and swimwear and exercise wear for women, Nikos still primarily addresses the homoerotic male.
Nikos Apostolopoulos - Spring/Summer 1987
Models: Joe Gogol, Scott Benoit ...
Nikos' clothing template is the jock strap. He customarily provides a band (including many in the late 1980s that, like the underwear of competitors, included the designer name) around the waist from which an extended cod-piece or pouch distends. The designer's phallic primacy is complemented by bared sides and minimal coverage of buttocks, offering voyeurism (and implied accessibility) front and rear to the male. His tanks stress angularity almost as if to clothe men of granitic triangulation, rather than the ordinary soft body.
Further, two devices frequent in Nikos' work exacerbate the homoerotic content. In effectively using stretch materials, Nikos often opens apertures in the briefs and tops, allowing a peek-a-boo spectatorship more often associated with female undergarments. Additionally, Nikos relishes piecing and visible seams, the stretchy activewear taking on something of the aspect of a virile Vionnet or an Azzedine Alaïa transferred to Muscle Beach. The effect, of course, is to promote even further the sense of the garment as strapping, swaddling, a slight covering for muscles and body movement. In instances when Nikos uses stripes, his only pattern, line enhances the verticality and size of the phallic pouch.
Joe Gogol was his favourite model the very first years, ph: Chimene Lasserre
In the early 1990s collections emphasized more moderate clothing for the street, including the graphically strong spring/summer 1993 collection with outfits in black-and-white for exercise and shirts with bold designs inspired by Matisse cutouts. The spring/summer 1994 collection stressed sportswear for the street and offered a repertoire of loose, long knits and colorful shorts and white and black oversized trousers. Whenever Nikos had shown streetwear in the late 1980s and 1990s, the look was still of extremism, with see-through tank tops, faux leopard skins, and tailored clothing with zoot suit bravado. In the street clothes, Nikos did not abandoned fetishes, but moved toward mainstream menswear, ironically leaving many other designers from Dirk Bikkembergs to Gianni Versace to fill his gap on the wild side.
Nikos Apostolopoulos - Fall/Winter 1987
One can either dismiss Nikos for his marketing of the most blatant homoerotic clothing, of which probably a considerable portion is purchased but seldom worn, or worn only for the private circumstance. Or one can understand that Nikos stands, with many designers of men's underwear and related athletic wear, as one who cultivates specific and definable traits of the homoerotic to develop garments possessing their own brand of beauty.
Nikos ventured into fragrances in 1994 with, oddly, a women's scent rather than one for men. Sculpture Femme launched amidst much fanfare did well enought to encourage Nikos to develop a complementary men's scent, preferably one as iconoclastic as its creator. Sculpture Homme, introduced in 1995, didn't disappoint with its sexy mythical connotations and spicy base, rolled out with widespread media advertising. Both Nikos incarnations sold very well at a time when upscale retailers were in a slump. The designer pondered additional fragrances as well as bath and body lines.
—Richard Martin;
1987, Brian Buzzini and Mark Kleckner
Ph: Victor Skrebneski
-------------------------------------------
Nikos Apostolopoulos - Spring/Summer 1988
Models: Iman Abdulmajid, Mark Kleckner
Ph: Victor Skrebneski
Fashion Show Models: Scott Benoit, Joe Gogol, Brad Harryman ....
-------------------------------------------
Nikos Apostolopoulos - Fall/Winter 1988
Models: Steve Lyon, Joe Gogol, Iman Abdulmajid, Odile, Paul Wadina and other male model (no id yet)
Ph: Victor Skrebneski
The official Nikos website has a whole set of pics of the catalog.
-------------------------------------------
Nikos Apostolopoulos - Spring/Summer 1989
Models: Iman Abdulmajid, Odile and a male model
Ph: Victor Skrebneski
Fashion show models: Steve Lyon and Odile
-------------------------------------------
Nikos Apostolopoulos - Fall/Winter 1989
Iman Abdulmajid and Steve Lyon, Chris Martin, Bert Van Emden, Moose Ali Khan, Swiggy Drummond, Odile.
^ 4:24, Iman + Steve Lyon = a must see, amazing!
-------------------------------------------
Nikos Apostolopoulos - Spring/Summer 1990
Models: Marpessa Hennink and a male model
Ph: Herb Ritts
Fasfion show models: Steve Lyon, Walter Schupfer, Nick Scotti, Chris Martin, Moose Ali Kahn, Hermes ...
-------------------------------------------
Nikos Apostolopoulos - Fall/Winter 1990
Models: Yasmeen Ghauri and male models
Ph: Michel Comte
Fashion Show models: Michiel Van Dijk, Yaron Fink, Cameron Alborzian ....
Calvin Klein, Obsession for men 1987
Brand: Calvin Klein, Obsession for men for the body
Year: Spring/Summer 1987
Models: Justin Lazard , Tim Schnellenberger, Blake Daniels, Paul Wadina.
Photographer: Bruce Weber
The original WWD Report 22 years ago.
---------------------------------------------------------
here a few interesting info about the ad, I got it from a Sam Shahid interview, he was the Calvin Klein creative director and has worked with Bruce Weber since 1981.
.
.
.
TR: What about the Obsession ad with the naked models?
SS: That's Obsession for men for the body, shot in Miami Beach. We were there before Miami Beach exploded. It was still very seedy at that point. We shot it on top of the hotel. (The Breakwater Hotel)
TR: Very beautiful
SS: It looks beautiful in the photograph. But if you saw the actual place, you would die.
TR: You knew ahead of time that you wanted a shot like this?
SS: It was one of many. There were a lot of photographs shot in Palm Beach—the same scene, but the kids were naked in a pool, just kissing. The shot in this ad is the one we chose in the end. It was the most powerful. It really glorified the body.
Year: Spring/Summer 1987
Models: Justin Lazard , Tim Schnellenberger, Blake Daniels, Paul Wadina.
Photographer: Bruce Weber
The original WWD Report 22 years ago.
Obsession For Men ad: body-conscious.
January 23, 1987
Author: Wiest, Robin More
Calvin Klein Cosmetics once again will stretch the boundaries of provocative advertising when its spread for an Obsession For Men body product --which features six naked men and women--hits the newsstands in mid-February.
Unlike the ad for the Obsession women's fragrance, which depicts a nude woman entwined with several nude men, the characters in the new shot barely interact but pose like statues, with their eyes closed. The roof of a Miami hotel provided the setting, a white stucco structure set against a slightly cloudy sky.
Like most of the designer's advertising, the new yellow-toned print was photographed by Bruce Weber and developed by Klein's in-house agency, CRK Advertising.
Klein doesn't like to say too much about his ads. He says he prefers to let people interpret them for themselves. There is no hidden meaning,' he said Thursday. It's very sculptural, architectural. The composition is extraordinary . When you are working on products that relate to the body, one wants to show the body to its best advantage.'
The nude women are striking, not just because of what's not there but because of what is. These are not the skinny creatures seen on the runways of yesterday. Curves are in. You didn't see girls like that a couple of years ago,' Klein said. Their bodies interfered with the clothes. We were looking clothes hangers. But now, I feel anyone who looks anorexic is so sad.'
Robin Burns, president of Calvin Klein Cosmetics, was more forthright: The bust is back. Beauty is health . Forget about all the anorexic stuff.' And forget about product shots in newspapers to introduce ancillary bath and body products. Burns went against that traditional practice of launching line extentions when the Obsession body care line was introduced with its own print ads and was promoted on TV. The new Obsession For Men body product will be treated in the same way.
---------------------------------------------------------
here a few interesting info about the ad, I got it from a Sam Shahid interview, he was the Calvin Klein creative director and has worked with Bruce Weber since 1981.
.
.
.
TR: What about the Obsession ad with the naked models?
SS: That's Obsession for men for the body, shot in Miami Beach. We were there before Miami Beach exploded. It was still very seedy at that point. We shot it on top of the hotel. (The Breakwater Hotel)
TR: Very beautiful
SS: It looks beautiful in the photograph. But if you saw the actual place, you would die.
TR: You knew ahead of time that you wanted a shot like this?
SS: It was one of many. There were a lot of photographs shot in Palm Beach—the same scene, but the kids were naked in a pool, just kissing. The shot in this ad is the one we chose in the end. It was the most powerful. It really glorified the body.
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